MagazineReviewsAlbum of the Week(Page 6)

The new Moritz von Oswlad Trio dance between the synthetic and organic on dazzling new album, ‘Dissent’

Image by Charlotte Duale The Moritz von Oswald Trio has always been a bit of a revolving door of collaborators, held in place by the common denominator of von Oswald himself. Subsequently, the music from the German record producer and composer’s group has always changed shape somehow, presenting a myriad

Image courtesy Planet Mu Contrary to her name, Jana Rush seems to find solace in slowness. The iconic Chicago native DJ and producer (also known as JaRu) released her debut album Pariah in 2017, after twelve years in the game of Chicago footwork. It was a statement from a veteran;

Image by Zanele Muholi It makes a ridiculous amount of sense that Desire Marea should tap prolific queer South African photographer Zanele Muholi to shoot the cover for their immaculate debut album, DESIRE. No one else could have captured the multifaceted visionary quite like Muholi. Marea is an artist who

Image by Rosie Marks It’s surprising that someone as iconic as Joy Orbison should put out their first full length release twelve years into their career. Since his debut in 2009, Orbison has enjoyed an illustrious métier as one of the foremost innovators on the U.K underground, all off the

Image by Angelo Kritikos Jersey Club is having a moment. The lightning speed beats and hyperactive bounce of the genre have become increasingly more pertinent in the sound of the zeitgeist (cue: Ciara’s Level Up). This is likely thanks in part to the astronomical rise of Tik-Tok, whose one minute

Image by Yaseen Brink / Copyright Prolific Media The music of Amapiano is infamously distributed to its followers via grassroots modes, most popularly via WhatsApp groups. This bypassing of conventional or commercial methods of distribution is somewhat synonymous with the spirit of the genre, and largely the dance music culture

Image by Steve Gullick It’s criminal that Hybrid aren’t as instantly recognisable as their peers such as Aphex Twin or Massive Attack. The group’s acclaimed debut Wide Angle revolutionised the landscape of U.K breakbeat. It was an astute keying into the futurist anxieties of the turn of the millennium with

When electronic music composer Nicolás Jaar and jazz multi-instrumentalist Dave Harrington unleashed their collaborative project Darkside onto the world in 2013, they changed the game. It was the sort of musical meeting of minds that felt entirely serendipitous and to this effect, a bit precious. The fuzzy psych rock of

Image: Hyperdub The West has always had an unhealthy appetite for Asian aesthetics. Perhaps due to its stark contrast to European austerity and chaste rigidity, the aesthetic conventions of Japan have become some of the most appropriated and fetishised. It’s even given rise to an entire counter-culture of non-Japanese people

Image by Ishita Singh Identity politics in electronic music have always been a bit skewed. What began as a form of black queer expression evolved into the mainstream archetype of the cis-gender white male playing music for his ilk at the likes of Ultra and Tomorrowland. More often than not

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