Following the release of their hypnotic new single ‘Worthy’ via Théque Records, Hungarian producer and multidisciplinary artist mïus joins forces with ethereal vocalist HALOSARA for a collaboration that feels both intimate and expansive. Known for his cinematic fusion of electronic soundscapes and visual design that have amassed millions of streams across platforms and attention from BBC Radio 6 to Mixmag, mïus, the creative alias of Gergely Álmos, continues to push the boundaries between audio and art, crafting sound worlds that are as emotionally rich as they are architecturally precise. With HALOSARA’s weightless vocals gliding over textured downtempo beats and minimalist piano lines, ‘Worthy’ captures the fragile beauty of connection and self-acceptance.
Listen to ‘Worthy’ and read our exclusive interview with the artists below.
Paint us a picture: what sparked your passion for the arts in the first place? Was there a single moment or experience that solidified your decision to pursue this path?
GERI:
Besides making music and managing Théque Records, I am an architect. It is likely that I started on the artistic path because I studied according to the so-called “Zsolnay method” in elementary school, which means that besides basic school subjects, there were compulsory subjects such as puppetry, dance, flute, chess. During my studies, music always accompanied me: I studied oboe, guitar, drums, and piano.
When you create, what leads the way – a feeling, a story, or the sound itself?
GERI:
I am mostly guided by a concept in music writing, which definitely comes from architecture. While architecture is an applied art, in music I can break down the limitations that bind me when designing a space or building. But I work with a lot of found sounds, and sometimes only the flow leads, or a simple Sunday jamming on one of the instruments. That’s why I’ve already learned that you have to press the record button even when messing with a simple synth knob.
What’s in your toolkit? Share the gear, gadgets, or software you can’t create without.
GERI:
The favourite gears in my setup I use are Vermona PERfourMER, Korg Minilogue, Vermona DRM and an Arturia MikroFreak, with effect pedals such as Strymon Big Sky, El Capistan, Red Panda Particle, Empress Echosystem, and Fairfield Circuitry Shallow Water. For drums I play with the Bastl Inst. Thyme effect. I use Ableton as a MIDI controller. Besides my synths, there is my beloved Furch acoustic guitar and my Mapex drums covered with crazy things for weird sound design.
What’s your go-to ritual or trick for getting into the creative zone?
SÁRA:
I don’t really have a set ritual or trick—every time feels different. Honestly, I usually don’t even realize what I’m doing until I’m finished with something. I just try to stay playful, follow what feels right in the moment, and try to leave all rational thinking outside the creative process, though that’s often the hardest part.
What’s the one item you always keep within arm’s reach while creating or performing?
GERI:
When inspiration strikes I usually grab my Furch guitar first or sit next to the piano. It is much easier to start with than setting up the analogue gears.
How did you ultimately end up defining your sound?
GERI:
Personally, I really don’t like putting arts in boxes and labeling them. It’s not good for the artist’s development either.
How has your creative process or perspective shifted since you started your journey?
SÁRA:
When I started making music, I had a lot of really talented musician friends. For a long time, that actually numbed me—I was always thinking about what they would think of anything I did. Now I feel much freer. I just try to make what I like, and nothing else really matters. So for me it was actually a mental burden rather than technical things, but also I’m still at the beginning of my journey.
Walk us through a recording session: what’s the most memorable moment you’ve had in the studio?
GERI:
Creation works best when the flow catches up, so I have decided to move the entire synth collection from the studio to home for the album-making process. I set it up for weeks in the middle of the apartment. So the first part is kind of lonely. After this comes the busy part, when I involve the musicians and we continue to come up with ideas in the studio.
Are there any unexpected or dream collaborations hidden in your work?
SÁRA:
I believe the best collaborations come from genuine mutual appreciation as human beings. I love making music with my friends, so that’s always on the table—but there’s nothing specific lined up right now.
Any side projects you’re working on?
SÁRA:
I sing in a band called Sierra Delta, and we’re working on new songs at the moment.
Who’s an emerging artist you think deserves more recognition right now?
GERI:
Halosara!
What’s the strangest or most surprising song currently on your playlist?
SÁRA:
I never thought I’d end up listening to Justin Bieber, but I really like his new album, SWAG. It’s not surprising on a global level, but it’s definitely surprising for me personally that most songs are on repeat.
Which song, album or playlist do you never get sick of no matter how many times you listen to it?
GERI:
João Gilberto és Stan Getz: Getz/Gilberto
Are there any unexpected hobbies or projects you’re exploring outside of your main work?
SÁRA:
Nowadays, I’m really busy with music and my 9-to-5 job, so not really—but I’m always open to the idea of trying some extreme sport someday.
If your life and career were an album, what would its title be, and what’s the hidden track only your fans would know?
GERI:
This year I wrote music for the immersive exhibition of the famous Hungarian painter Csontváry. It was a challenge not only because of the painter’s unique life path and personality, but also because of the mixing of classical instrumentation in the 4D Sound system, which requires a completely different approach and vision also already in the music writing process than standard stereo sound.
Give us a glimpse into the future – what surprises or milestones are coming up for you this year?
GERI:
Not a milestone but next year a new mïus album will arrive. But first in December the music for the Csontváry 4D immersive exhibition will be finally released.
Follow mïus:
Instagram – Facebook – X – Soundcloud – Youtube – Spotify
