Jairic on his Creative Process, Studio Sanctuaries, and Expansion [Interview]

Fresh off the release of his blistering new single ‘Don’t Let Me Put A Track On You’ on September 5th, 2025, multi-hyphenate artist Jairic sits down with us to talk about the bold sound and vision behind his latest work. Released via Rich Air Music, the track showcases Jairic’s fearless lyricism, genre-bending production, and signature cinematic style, crafted entirely by the artist himself. Known for his high-energy performances at venues like Château Les Alouettes in Cannes and Villa Balbiano on Lake Como, as well as his live appearance at the Paris premiere of Azur, Jairic continues to build a global following with nearly 2 million streams across platforms. Born and raised in Detroit and now based in Cannes, Jairic’s sound is shaped by influences ranging from Nas and Wu-Tang Clan to funk, 60s rock, and film scores – resulting in a raw, dynamic fusion of sounds that defies categorisation.

Read our interview with Jairic and stream ‘Don’t Let Me Put A Track On You’ below.

 

Paint us a picture: what sparked your passion for the arts in the first place? Was there a single moment or experience that solidified your decision to pursue this path?
I’ve always felt an unshakable need to create and build—to take something from my head and make it real. Music was my first blueprint. As a kid, I’d sit at the piano and drums, trying to turn raw emotion into rhythm. There wasn’t a single lightning-bolt moment; it was more like a steady hum that never went away.
Even when I stepped into the world of business and building companies, that same energy drove me—the need to construct, design, and leave something that lasts. Eventually, I realized music wasn’t something I could leave behind. It’s the one space where I can fuse everything I am: the builder, the strategist, the dreamer, and the fighter.

 

When you create, what leads the way – a feeling, a story, or the sound itself?
For me, it always starts with the music. A sound, a chord, a rhythm—something that hits first. That initial pulse leads me into the soul of the track—the emotion, the color, the vibration. Once I lock into that feeling, the lyrics arrive naturally, shaped by the story the music is already telling.
Every track is like building a world from the ground up: first the foundation with sound, then the soul, and finally the words that live inside it.

 

What’s in your toolkit? Share the gear, gadgets, or software you can’t create without.
My toolkit is a mix of classic instruments, modern tech, and pure life inspiration. I love to start with my Bösendorfer grand piano, where so many of my melodies are often born. I am an OG for FL Studio and devout Pro Tools user; those are my go-to platforms for building and sculpting tracks. But honestly, my greatest tools are my children and the world around us—real life feeds the creativity, and every sound or moment can spark the next idea.

 

What’s your go-to ritual or trick for getting into the creative zone?
Lately, I’ve been on a crazy creative run where the zone comes naturally. Family and real-life moments spark the ideas, and once I sit down, the energy just flows. My only real ritual is simple: have water nearby, even if I forget to drink it for hours, and give myself the space to fully lock in. Sometimes it’s late at night, sometimes it’s early in the morning. But, when inspiration hits, time disappears.

 

What’s the one item you always keep within arm’s reach while creating or performing?
Something to drink (i.e., water, sparkling water, coffee), phone for notes.

 

How did you ultimately end up defining your sound?
My sound is whatever the f*** I make. I don’t chase trends or boxes. If it feels true, if it hits with energy, it’s mine. Some days it’s cinematic hip-hop, other days it’s gritty, soulful, or left-field experimental. I follow the frequency, the emotion, and the story—and let the sound become whatever it needs to be.

 

How has your creative process or perspective shifted since you started your journey?
My creative process is sharper and hungrier than ever because life put me through fire. I’ve faced near-death moments, survived the loss of someone I loved deeply, and fought my way from business survival to real personal and professional success. That journey changed how I create—there’s zero wasted motion now. Every bar, every beat, every visual comes from a place of urgency and truth.
n=40 isn’t about slowing down—it’s about keeping the hunger alive and creating like every track could be my last.

 

Walk us through a recording session: what’s the most memorable moment you’ve had in the studio?
For me, the studio isn’t a hype zone—it’s a sanctuary. Recording is spiritual. I love the day-to-day work with Matt, my engineer, who’s deeply respected in the Detroit and U.S. hip-hop scene. We’ve built a real friendship in that space; the banter and conversations flow as naturally as the music. But when it’s time to work, we’re locked in. It’s professional, it’s focused, and every session feels like we’re carving something timeless out of thin air.

 

Are there any unexpected or dream collaborations hidden in your work?
I’ve already had the chance to collaborate with Detroit legend Marv Won, which will be featured on my upcoming album L’Americain (Spring 2026). Beyond that, the dream list is long. There are so many artists I’d love to create with—people who push boundaries, bring raw energy, and aren’t afraid to step into my world.

 

Any side projects you’re working on?
Right now, my main creative focus is on my upcoming album L’Americain and an accompanying film project. I’ve written, produced, and recorded over 25 songs alongside a feature-length script, and I’m in active discussions with filmmakers in New York, Prague, and France to determine the project’s direction. It’s a sexy, seductive love-triangle story with a twist—a fusion of music, cinema, and storytelling that reflects the world I’ve been building.

 

Who’s an emerging artist you think deserves more recognition right now?
Aside from me? Who really knows anymore, haha. The game’s crowded, and real artistry doesn’t always get the shine it deserves. But I’ve been vibing with BigXThaPlug lately—he’s got that raw energy that cuts through the noise.

 

What’s the strangest or most surprising song currently on your playlist?
J.J. Cale’s entire catalogue, listening to that has been a treat.

 

Which song, album or playlist do you never get sick of no matter how many times you listen to it?
Nas – Illmatic

 

Are there any unexpected hobbies or projects you’re exploring outside of your main work?
Outside of music, I’m always building. I’m a smaller partner in a professional sports team, restoring a classic truck, and run investments that range from a château in Cannes to AI and medical tech. I’m also developing a feature film I wrote and scored myself—a seductive, high-stakes love triangle with a twist.
My hobbies aren’t really “off time.” They’re just extensions of the same energy—creating worlds, whether it’s a song, a story, or a property.

 

If your life and career were an album, what would its title be, and what’s the hidden track only your fans would know?
Right now, it’s the title of this album: n=40. It’s not midlife — it’s mid-war. Every track would carry the scars and the victories of building, breaking, and rebuilding with more fire than before. The track that represents this the most is ‘Yolo 2 Yoga’.

 

Give us a glimpse into the future – what surprises or milestones are coming up for you this year?
This year is all about expansion. I’m lining up a European tour, bringing my music to new cities and stages overseas. On the creative front, I’m shooting multiple cinematic videos for my upcoming album, L’Americain, and continuing to evolve the visual side of my artistry.
Outside the studio, I’m active on the investment front, growing my portfolio and building projects that connect my worlds of business, art, and lifestyle. It’s a year of fun moves, new markets, and leaving a mark in every lane I touch. Most importantly, doing this alongside being a husband and father.

 

Famous last words?
Let’s get it

 

Listen to ‘Don’t Let Me Put A Track On You’:

 

Follow Jairic:

WebsiteInstagramSoundcloudYoutubeSpotify

Comments

PLAYY. Magazine is part of the PLAYY. Music Group Originally launched in 2008 the company branched out into international Music PR, Events, Record Label, Media Network and Distribution platform.

X
X