A producer and DJ whose momentum continues to build, driving himself forward with new releases and performances, all whilst exploring the depths and potential of his sound, Jody Vukas brings commitment and passion to his work within electronic music. With tracks like ‘Let Me Go,’ ‘Get Busy,’ and ‘Horizon,’ and remixes for CoShade and Miami Techno, his catalogue is expanding in both style and scope, offering listeners distinct examples of his signature sound and artistic evolution.
Today, we catch up with Jody Vukas to talk about the creative process behind his recent releases, live experiences, and what he has planned for the coming months.
Hi Jody Vukas, how are you?
I am great, thanks!
You’ve released a strong run of singles and remixes this year already — what has been driving your creative output in 2025?
I am incredibly grateful for the way this year has started. 2025 has already been such an exciting chapter for me creatively, and it feels like the culmination of all the hard work and dedication I poured into 2024. Last year, I spent countless hours in the studio, experimenting with new sounds, refining my productions, and challenging myself to push boundaries. It was a year of growth and discovery, and now, stepping into 2025, it’s amazing to see those efforts come to life and resonate with listeners.
‘Let Me Go’ came as your first original release of the year – a track that captured your melodic and atmospheric side. Tell us, what inspired that release?
Last year I found myself spending more time exploring and developing my creativity with melodic rhythms and melodies. I stumbled across the vocal sample, and it fit nicely into something I had started just prior. The vocals were the missing “instrument” so to speak and everything else fell into place. I typically don’t use vocal samples these days and work with a handful of extremely talented singers like Madishu, Ariana Caetano, and the talented Brit, c.helsie.
‘Get Busy’ with Bomber saw your sound take a different route, venturing into Hypertechno. How would you say this collaboration pushed the boundaries of your creativity?
Yeah, wow! I did not expect to venture into that arena…haha! The opportunity to collaborate with Bomber was presented to me by Luca Teste at Headstudios in Italy. I liked the idea but was a little hesitant at first because it was so far from my comfort zone, however, it was a very transformative experience for my creative process. Hypertechno elements and structure are very different from the Melodic and Progressive House world I’m accustomed to creating in. Initially, it felt a bit daunting, however, Bomber helped ease the transition and further inspired me to explore my creativity.
‘Never Doubt’ and ‘Tomahawk’ delivered more immersive soundscapes for listeners. Are there any go-to techniques you rely on to keep your tracks evolving and engaging throughout?
My production process has changed a bit over the last couple of years, especially after watching Anjunadeep artist, Enamour, walk through the production process for his track, ‘Ruby’, which inspired me to focus on creating the initial melody instead of drums and percussion. Once I have the concept, I dive into building around that melody, by adding texture and support, which in turn allows me to develop a more immersive sound and experience.
From the Latin-inspired rhythms of ‘Horizon’ to the darker tribal elements in ‘Meru’, your productions carve tight grooves that each carry their own distinct energy. How do you approach creating contrast in your music while still keeping it cohesive to your sound?
Creating contrast while maintaining cohesion is all about balancing the elements with a strong sense of identity. When starting a new track, I like to explore different rhythmic or melodic ideas – sometimes that means pulling from Latin influences, other times it’s exploring darker, more tribal grooves. Regardless of where I go, I always come back to a few core elements that define my sound: tight grooves, layered percussion, and a focus on atmosphere. Ultimately, it’s about trusting my instincts and staying true to myself throughout the production. That way, even when I’m pushing into new territory, there’s always a sense of “my sound,” that listeners can recognize as Jody Vukas.
Alongside original material, you’ve released a series of remixes, including reworks of CoShade’s ‘All Is A Dream’ and Miami Techno’s ‘The Truth.’ What’s your approach to remixing — how do you strike a balance between preserving the original and injecting your own identity into the track?
When I approach a remix, my main goal is to find that sweet spot between the original track and letting my own creative identity shine through. I listen closely to what makes the original special, whether it’s a signature melody, a vocal line, or a certain mood. For example, with CoShade’s ‘All Is A Dream’, I wanted to preserve the emotional core and atmosphere, so I kept some key melodic elements while building new layers and rhythms that reflect my own style. I’m careful not to take away what’s special about the original. Instead, I work to enhance it by adding energy with fresh percussion or recreating the harmonics, as I did with my remix of Miami Techno’s ‘The Truth’. That remix balances the original melodic groove with my signature driving basslines and atmosphere, which creates something that feels both familiar and new.
You recently played six sets during Miami Music Week — how was your experience this year, both on and off the decks?
It has been 10 years since I last attended and played so it was great to make it back with the relaunch of WMC. I wasn’t initially planning to even attend until I reconnected with DJ Kelee and Cevin Fisher. It all started with a conversation about us going and just hanging out. That quickly turned into an opportunity for us to throw a party. Once that was solidified, the word quickly spread, and opportunities flooded my inbox. It all came together over a few weeks. The parties varied from a pool party to a sunset party, to after-hours. It was a ton of fun as DJing is one of my favorite things to do on this planet. Unfortunately, it didn’t leave much time to check out other events, but I did make it to the Nervous Record party with Danny Tenaglia, as well as the Anjunadeep Open Air party, which was off the hook.
Can you share the goals you’re working towards next? What are you hoping to achieve by the end of 2025?
I have a hit list of labels that I am working to release on, like Anjunadeep, Armada, Toolroom, and Colorize to name a few. There has been some back and forth with A&R with some of these labels which is exciting and helps to continue to build my confidence in my work. Additionally, I started syndicating my Distant Drum Radio Show a few months ago and there are now 20 radio stations broadcasting the show and it’s reaching well over a million weekly listeners. I would like to hit 50+ radio stations along with 10+ million weekly listeners.
Finally, as you keep the momentum going, what’s next on the release schedule?
I have releases dropping this spring/summer on Enormous Chill, Blanco Y Negro, Deep Woods, Cafe de Anatolia, and some that I don’t want to mention yet until they are locked down.
As his journey continues to unfold, Jody Vukas is clearly locked into a productive rhythm – driven by both creative intent and a steady vision for where he wants to take his sound. Whether diving into vocal-led tracks, remixing with precision, or exploring new rhythmic territory, he remains focused on developing his identity and sharing his music with wider audiences. So, as our interview comes to an end, we thank him for his time, and with more music on the way and ambitious goals in sight, we look forward to seeing what Jody Vukas’ next chapter brings, no doubt promising plenty more on the road ahead.
Listen to Jody’s latest single, ‘Lost’:
Follow Jody Vukas:
Website – Instagram – Spotify
