Marco AS, one of Brazil’s pioneering electronic music producers, has been at the forefront of the global electronic scene since the early ’90s. As the founder of Influx and the acclaimed duo Click Box, Marco quickly made a name for himself with his unique blend of minimal techno, tech-house, and hypnotic grooves. His collaboration with Richie Hawtin’s Minus Records and Items & Things led to the release of iconic EPs like Espaço & Tempo, making him the only Brazilian artist to grace the label.
Over the years, Marco has collaborated with legends like Magda, Marc Houle, Troy Pierce, and Gui Boratto, while also carving out his own path with D.O.C Records. With his distinct sound and a string of notable releases under his belt, including ‘Multiple Dividers’ and ‘True Heart’, Marco AS has continued to push boundaries. Now, in 2025, he’s back with a brand-new EP, Genesis, marking the next exciting chapter of his career. In this exclusive interview, he shares insights into his journey, influences, and creative process, alongside an exclusive mix that showcases the depth and versatility of his sound.
What sparked your passion for the arts in the first place? Was there a single moment or experience that solidified your decision to pursue this path?
When I was 5 years old, I had a natural attraction for piano. I just enjoyed the sound and rhythm. Started to study when I was 6 and around 8 years old I discovered New Order, Depeche Mode, The Cure. At that moment I knew what I had, what I was going to be.
When you create, what leads the way – a feeling, a story, or the sound itself?
It just appears in my mind. A melody, harmony idea, sound design just comes naturally to my head. When I hear something that inspires me, sometimes a feeling. Many different ways.
What’s in your toolkit? Share the gear, gadgets, or software you can’t create without.
I work in Ableton. I use analog, digital, electric, software instruments. Whatever I have in my hands at the moment. I particularly like the Roland Juno 106 and the Jp 8080, also love the Studio electronics SE 1.
What’s your go-to ritual or trick for getting into the creative zone?
Nothing like that for me. When I feel I have to do it, I just do. If I don’t. I mean, If I need to force something I don’t. I believe it needs to be born!
What’s the one item you always keep within arm’s reach while creating or performing?
I guess when performing, my laptop. While creating, my phone. I always record vocal notes. I sing the melody, the rhythm, the arrangement. It also gives me an exact note of the sound design direction.
How did you ultimately end up defining your sound?
This is hard for me. I’m not good with defining genres. I’m not a DJ, so I like to think I do a fusion with techno, house, pop, synth-pop. I really don’t know.
How has your creative process or perspective shifted since you started your journey?
Not much. My process is almost the same as when I started. The difference is that, now I can see in a way what I want to do. But, always doing experiments, I don’t have a way or a formula to do things.
Walk us through a recording session: what’s the most memorable moment you’ve had in the studio?
I was half of an electronic music duo called Click Box. We had a dream to be part of Richie Hawtin’s Minus Records. Some day it happened. We were the only Brazilians to be there. It was a huge dream. A memorable moment is when we did a collaborative record with other artists we loved from the label. Magda, Marc Houle, and Troy Pierce. They had a project called Run Stop Restore. We did a very cool record together in our studio in São Paulo, Brazil.
Are there any unexpected or dream collaborations hidden in your work?
A dream would be having Martin Gore from Depeche Mode to work and sing on a song.
Any side projects you’re working on?
No, trying to focus on Marco AS.
Who’s an emerging artist you think deserves more recognition right now?
I can’t answer that. I’m not paying attention.
What’s the strangest or most surprising song currently on your playlist?
I have a song called ‘Still’. It’s not strange or surprising, at least for me. But I like it because I’m singing on it and really enjoy my vocals.
Which song, album or playlist do you never get sick of no matter how many times you listen to it?
Underworld’s Beaucoup Fish album.
Are there any unexpected hobbies or projects you’re exploring outside of your main work?
Not really.
If your life and career were an album, what would its title be, and what’s the hidden track only your fans would know?
Title would be “WHY”. Hidden track would be called ‘You Don’t Know’.
Give us a glimpse into the future – what surprises or milestones are coming up for you this year?
I’m taking my career back after a life rollercoaster of health accidents, depression. So I’m starting over what I am. Without this I’m nothing. Besides promoting my new EP Genesis via DOC Records, and preparing my new show, I have been producing a lot. Also happy to announce here my next release, a collab with great artists and friends set to be launched with the label Tune City: Escape (EP) by Marco AS and Fellinis, including a Gabriel Brasil rework. More music to be announced soon!
Famous last words?
I don’t do this cause I need something. I do it, cause I need to.
Stream Marco AS‘s exclusive PLAYY. Mag mix below:
Mix Tracklist:
1. Marco AS – Quadrant B
2. Marco AS – Vector Begin
3. Click Box – Helen In The Keller – Marco AS rework
4. Click Box – Wake Up Call – Marco AS rework
5. Marco AS – Multiple Dividers
6. Marco AS – Untitled Improvisation
7. Marco AS – Genesis
8. Marco AS – Untitled Improvisation
9. Marco AS – Optar
10. Marco AS – Red Trauma
11. Marco AS – Random Dynamic
12. Marco AS – Driven By You rework
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