Ourson is a French electronic music producer based in Montreal, known for weaving emotional melodies and warm, tactile textures into a sound that sits delicately between melancholy and hope. After more than a decade of quietly honing his craft, he joined Beyond Records, releasing a debut EP that quietly turned heads and marked the arrival of a distinctive voice in melodic electronic music. His upcoming project, Vast Unknown, arrives in June 2025, offering a deeper glimpse into his introspective sonic world, with a debut full-length album slated for early 2026. Guided by sincerity and instinct, Ourson creates music that resonates not just in sound systems, but in hearts.
Listen to his latest single while you read our interview with the emerging producer below.
Paint us a picture: what sparked your passion for the arts in the first place? Was there a single moment or experience that solidified your decision to pursue this path?
My mother. My mother is a violinist, we always listened to music at home. Classical, film scores, French music – there was always something playing in the background. I think that’s where it started: this quiet, constant presence of music shaping how I saw the world.
There wasn’t one big moment where I decided I’d pursue music. it was more like a slow, steady drift in that direction. Over time, it became obvious that I didn’t really want to do anything else. And eventually, I understood that I couldn’t.
When you create, what leads the way – a feeling, a story, or the sound itself?
Definitely a feeling first, and then the sound. I never overthink or intellectualize what I’m doing. I actually hate spending too much time on a track, I’m scared of getting bored or losing the spark.
All my songs start the same way: I mess around on the piano. The moment I land on a chord progression that stirs something in me, I just follow that feeling. Then I start building sounds around it to bring it to life, without worrying about structure or any narrative. It’s really instinctive.
What’s in your toolkit? Share the gear, gadgets, or software you can’t create without.
I’ll be honest, I’m a big fan of analog synths. I love the warmth and imperfections. But I’m not going to lie to you… my real best friend is the Diva VST. It’s just so easy to make it sound right. It’s the one tool I always end up coming back to, no matter what.
What’s your go-to ritual or trick for getting into the creative zone?
I don’t really have a ritual. I just sit at the piano and start playing until something catches my ear. No pressure, no plan. I think the key for me is to keep it playful. The moment I try to force it or overthink, the magic’s gone. So I just let it happen.
What’s the one item you always keep within arm’s reach while creating or performing?
It used to be a cup of coffee… until I spilled one all over my laptop and lost everything. Let’s just say I’m a bit more careful now.
How did you ultimately end up defining your sound?
I’m not one of those artists who found their sound the first time they recorded something. I’ve been making music almost every day for 15 years, and for 14 of those years, it was really just my mom and a few close friends who listened. Things only started to click about a year or two ago, when I began working with my label, Beyond.
What really got me to where I am today was making music every single day, being totally convinced that what I had just recorded was amazing, then listening to it again 48 hours later and hating it… and starting all over again. That cycle taught me everything.
How has your creative process or perspective shifted since you started your journey?
One major thing has changed: I stopped thinking about how my music will be received. It’s kind of a paradox because, of course, I hope people listen and connect with it. But during the creative process, I don’t think about that at all, not even for a second. I just try to create something that makes me feel something real, something I’d want to listen to on repeat.
Walk us through a recording session: what’s the most memorable moment you’ve had in the studio?
Honestly, my sessions aren’t glamorous. I usually work alone in my little home studio in Montreal. The most memorable moments are usually the small ones, like when I’m stuck for hours and then, out of nowhere, I find it. That rush never gets old.
Are there any unexpected or dream collaborations hidden in your work?
Actually, yes. A few years ago, I had the chance to collaborate with Quebec astrophysicist Hubert Reeves on a track called ‘Comme une belle histoire’. It’s a pretty special one for me.
Any side projects you’re working on?
No!
Who’s an emerging artist you think deserves more recognition right now?
Andrea Laszlo De Simone. I’ve fallen in love with Italy twice. First, during a recent trip with my wife and son – it was incredible. Then, just days after returning to Montreal, I discovered his music. It felt like an extension of the trip: cinematic, emotional, and timeless. His album Immensità is like a dream, somewhere between orchestral pop and something much more personal. Both intimate and vast at the same time.
What’s the strangest or most surprising song currently on your playlist?
‘Good Day Today’ by David Lynch. Probably weird for some people! But I love how surreal and unexpected it is.
Which song, album or playlist do you never get sick of no matter how many times you listen to it?
‘Wild’ by Tourist
Are there any unexpected hobbies or projects you’re exploring outside of your main work?
Watching Sex and the City with my wife and building Star Wars Lego sets with my son.
If your life and career were an album, what would its title be, and what’s the hidden track only your fans would know?
I think I’d call it Vast Unknown. It’s how my whole journey has felt. Just exploring, without a clear map, figuring things out along the way. The hidden track? It would be an old, unfinished demo from my early days. Super raw, a bit messy, but full of emotion. Only the real ones would recognize it! Actually it’s going to be the outro to my upcoming EP, out next month. The track is called ‘You Make It Better’.
Give us a glimpse into the future – what surprises or milestones are coming up for you this year?
I’m really excited to be releasing my new EP next month—it’s the most personal project I’ve done so far. But the biggest milestone is that my first full album will be coming out in early 2026.
Famous last words?
Bon appétit.
Follow Ourson:
Spotify – Instagram
