Few independent electronic music labels can say they’ve remained true to their identity for more than a decade while continuously evolving alongside the industry. Since launching in 2009, Spring Tube Records has built a reputation for championing emotional, melodic electronic music, supporting artists from around the world across deep house, progressive house, organic house, melodic techno, liquid drum & bass, and beyond.
Led by owner and A&R Sergey Slang, the label has grown from a small independent imprint releasing music from friends and collaborators into an internationally respected platform. Early support from globally renowned DJs helped establish Spring Tube’s reputation, while its commitment to quality, collaboration, and carefully curated releases has kept it relevant through a rapidly changing music industry.
Today, Spring Tube Records continues to release music through its three label divisions – Spring Tube, Spring Tube Limited, and Spring Tube Liquid – each dedicated to a different corner of melodic electronic music while remaining united by a shared focus on emotion, musicality, and craftsmanship.
We caught up with Sergey Slang to discuss the label’s origins, its artist-first philosophy, the evolution of the music industry, and what lies ahead for one of electronic music’s longest-running independent labels.
Please introduce your label and share the story behind how it started.
Hi to everyone reading this interview. My name is Sergey Slang, and I’m the owner and A&R of Spring Tube Record Label, which focuses on high-quality, emotional, and melodic electronic music from artists all over the world.
It all started in the second half of 2009. I joined the label a couple of months before its launch after a former colleague invited me to come on board as an A&R consultant. We began with the first release from myself and my production partner, Technodreamer, followed by releases from friends and fellow producers.
The label quickly gained attention thanks to chart success and support from internationally recognized DJs including Tiësto, Armin van Buuren, Ferry Corsten, Markus Schulz, Solarstone, Jaytech, Eelke Kleijn, Matt Darey, and many others. As more demos arrived from artists around the world, we expanded our roster and entered a new phase of steady growth.
What inspired the name and identity of the label?
Spring has always been our favourite time of the year, when nature comes alive again. Our music reflects that same feeling through bright melodies and uplifting emotion.
The “Tube” represents a symbolic channel through which we deliver our music to listeners around the world.
How would you describe the label’s sound? Which genres and subgenres does the label primarily focus on or represent?
Because we love many different styles of electronic music, our sound is internationally diverse across three dedicated label divisions.
Spring Tube focuses on deep house, deep progressive, organic house, nu-disco, indie dance, breaks, and chillout.
Spring Tube Limited is dedicated to progressive house alongside melodic house and techno.
Spring Tube Liquid explores the world of liquid drum & bass.
What do you look for when signing or working with artists?
We look for fresh and inspiring musical ideas, touching melodies, and excellent production quality. Just as importantly, we value artists who are open to collaboration and building long-term relationships.
Can you mention some of the artists currently on your roster?
Some of our longtime key artists include Anthony Mea, Claes Rosen, Blood Groove & Kikis, Forteba, Marco Grandi, Hernan Cerbello, Satoshi Fumi, Christos Fourkis, David Folkebrant, Phrakture, Fiddler, Archelix, Subalpine, Azibo, Domestic Technology / Invisible Sounds, and Nikolay Mikryukov.
Among the newer artists who have joined the label in recent years are Evgeny Ivshin, Sasha Busko, Martin Luciuk, Nightly Closures, AMfive, Nugsupreme, and Seraphin.
How has the music industry, particularly with the rise of AI, changed since the label first launched?
The biggest change has been the growth of streaming and the decline of music sales. Fifteen years ago, listeners regularly bought and downloaded music, whereas today most people stream it online. Purchasing music has largely become something DJs and collectors still do.
Another important development has been music publishing. In recent years, both the label and our artists have started receiving meaningful income from public performances of our music.
What challenges have you faced as an independent label, and how have you overcome them?
Being an independent label is challenging, especially without significant investment. Effective marketing and promotion often require spending more than you earn, and I believe that’s something many independent labels experience.
Whenever possible, I continue investing back into Spring Tube to help the label grow.
Are there any upcoming releases, collaborations, or projects that fans should look out for?
I’m excited about all of our upcoming releases, but if I had to highlight a few, I’d recommend keeping an eye out for new music from longtime Spring Tube artists Blood Groove & Kikis, Claes Rosen, Marco Grandi, and Anthony Mea.
I’d also encourage listeners to discover Sam Deanz, a new artist joining the label with two impressive upcoming EPs.
What’s the long-term vision and goal for the label moving forward?
To stay true to our own sound and continue releasing quality music for intelligent music lovers.
Follow Spring Tube:
Spotify – Instagram – X – Facebook – YouTube – SoundCloud
